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TRAVIATA de Verdi : Chœurs Partie 3/10 Acte 1 Valse et duet – Soprano 1

Papibois

0:42	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
Vi		10	0	2	4	46%
Alto		7	0	0	3	30%
B.1		8	0	1	3	30%
B.2		10	0	1	3	30%
S.1		10	0	0	3	30%
S.2		7	0	0	3	30%
T.1		9	0	0	3	30%
T.2		7	0	0	3	30%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

TRAVIATA de Verdi : Chœurs Partie 3/10 Acte 1 Valse et duet – Alto

Papibois

0:42	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
Vi		10	0	2	4	46%
Alto		7	0	0	3	30%
B.1		8	0	1	3	30%
B.2		10	0	1	3	30%
S.1		10	0	0	3	30%
S.2		7	0	0	3	30%
T.1		9	0	0	3	30%
T.2		7	0	0	3	30%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - SOPRANO 2

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

FAUST de Gounod : Choeurs Partie 13/14 O doux nectar

Papibois

1:04	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	37	6	5	100%
		20	35	6	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	37	6	5	100%
		20	35	6	6	100%
FAUST		15	0	4	6	84%
Soprano 1		10	0	2	5	51%
Soprano 2		9	0	0	5	51%

TRAVIATA de Verdi : Chœurs Partie 3/10 Acte 1 Valse et duet – Basse 2

Papibois

0:42	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
Vi		10	0	2	4	46%
Alto		7	0	0	3	30%
B.1		8	0	1	3	30%
B.2		10	0	1	3	30%
S.1		10	0	0	3	30%
S.2		7	0	0	3	30%
T.1		9	0	0	3	30%
T.2		7	0	0	3	30%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - BASSE 2

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - SOPRANO 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara »

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	2	3	64%
Ténor 1		9	0	2	3	64%
Ténor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

TRAVIATA de Verdi : Chœurs Partie 3/10 Acte 1 Valse et duet – Tenor 1

Papibois

0:42	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
Vi		10	0	2	4	46%
Alto		7	0	0	3	30%
B.1		8	0	1	3	30%
B.2		10	0	1	3	30%
S.1		10	0	0	3	30%
S.2		7	0	0	3	30%
T.1		9	0	0	3	30%
T.2		7	0	0	3	30%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 2

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

TRAVIATA de Verdi : Chœurs Partie 3/10 Acte 1 Valse et duet – Basse 1

Papibois

0:42	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
Vi		10	0	2	4	46%
Alto		7	0	0	3	30%
B.1		8	0	1	3	30%
B.2		10	0	1	3	30%
S.1		10	0	0	3	30%
S.2		7	0	0	3	30%
T.1		9	0	0	3	30%
T.2		7	0	0	3	30%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - TENOR 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - SOPRANO 1

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - BASSE 1

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - TENOR 1

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

TRAVIATA de Verdi : Chœurs Partie 3/10 Acte 1 Valse et duet – Tenor 2

Papibois

0:42	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	15	4	4	98%
		18	25	3	3	98%
Vi		10	0	2	4	46%
Alto		7	0	0	3	30%
B.1		8	0	1	3	30%
B.2		10	0	1	3	30%
S.1		10	0	0	3	30%
S.2		7	0	0	3	30%
T.1		9	0	0	3	30%
T.2		7	0	0	3	30%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - TENOR 2

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

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